Two Wildness Adventures

The florescent orange, highly venomous Araneus marmoreus  
orb-weaver trekking across the Blue Ridge Parkway 
on High Swan, late November, 2022. 

Humans are most alive and joyful, truly joyful, when at home in their natural state of wildness.  Why is that?  Wildness sparks with us a deep survival instinct that heightens our senses, increases our strength and pain tolerance, and gives us an immediate sense of purpose.  Beyond that, it compels us to experience our connection with the wide universe.

We are, however, separated from wildness by the protections and aids of what we call civilization.  Civilization is valuable and now even essential for our survival, but it also is a hindrance to experiencing the most direct connection to the natural world.  Civilization has helped us, but also made us dependent, and thus not fully what we are meant to be. 

When wild, non-human creatures, especially those considered endangered, are injured or as young ones, orphaned, caring people sometimes take over, providing for the needs of the creature, with the goal of reintroducing them into the wild, of possible.  If not possible, then the creature remains in the care of humans, often serving to educate and inform about the needs of the species, and even to install awe and wonder in seeing that creature up close.  Zoos, for example, still serve these purposes.

Humans dwelling within civilization are like the inhabitants of a zoo.  We are dependant.  Different organizations like National Outdoor Leadership School (NOLS) and Outward Bound serve to initiate the reintroduction of humans into the wild, their original environment.  These days, we can only visit the wilderness for short or for some people, longer periods.  We are visitors, no longer natives—perhaps we are exiles.  We carry civilization on our backs in the form of dried food, fuel and stoves, and high tech clothing, shelter and other gear—maybe even a satellite telephone and solar charger. Perhaps a weapon.   In some ways, like an astronaut, but lower tech.

This craving for our original natural state may be behind our, or I should say, my fascination with observing wild creatures.  I watch, listen, and even smell them living their lives and I see how it’s done.  I enjoy wildness vicariously by contemplating those who are still native.  I appreciate their beauty and deceptively complex simplicity.

Today I was outside the Brown House, a place we built on five acres, taking a short break from cleaning for the next guests. Long ago I developed a habit of what I will call, outdoor situational awareness.  It involves an almost unconscious perception of wind and weather, and changes in them.  Anything new or in motion catches my attention.  I am aware of the topography and flora.  Same as a wild animal, I often look up and around and survey my surroundings.

So, during my break from cleaning as I stared out through the leafless trees and brush to the east, I caught the motion of something big, almost frightening, moving at a fast pace, bounding across the front yard of the white modular home up the hill.  My first thought—that it was a large dog—quickly morphed into “deer,” and the way it moved, head erect like it carried a heavy crown, a male deer with tall antlers.  It sprinted down the hill into the field before me. Then it ran frantically back and forth, fervently sniffing the air.  My instincts tuned me into the breeze touching me on my left, so I knew the animal could not smell me, so I watched it run back and forth, up and down, following a scent, until it vanished straight back up the hill.  I was in awe, and blessed to have witnessed this brief demonstration of abundant, passionate wildness.

Later in the day, in the afternoon, I was staining the side of the new woodshed of the Brown House.  As usual and without thinking, I glanced up to survey the long view, in this case north on our property.  You never know what you will see.  And I saw something.  Tall, dark, and moving back and forth side to side into a bush like it was dancing. It was a bear doing something I had seen more evidence of than I wished, but had never observed in person:  Rubbing and reveling in the fragrant foliage of a Carolina Sapphire Cypress tree up in our fruit orchard.

The Carolina Sapphire Cypress was developed by Clemson University as a potential commercial Christmas tree.  They started with the Arizona Cypress and did some tweaking—I’m not sure what this was.  Anyway, the AC and its offspring, the CSC was supposed be drought resistant.  I bought five of these trees at Lowes about 17 years ago and planted them as a screen between our property and the house to the Southeast, a house that had once been part of a whole parcel, but was divided from the land to make it easier to sell.  So, the green screen was in the required terms of the sale.  Problem was the CSC does not like shade, and the trees, then about 4 feet high, were not happy.  I dug them all up and moved them to the top of our land as a screen between the fruit orchard and the road. 

As the years passed, the CSC trees thrived and grew, but so did the bear population, and I began to see damage to the lower limbs.  Chewed, broken, twisted off, piled up.  It was strange.  Then when two of the trees died from unrelated causes, I replaced them with new CSC trees, and smaller.  Those trees got special bear treatment and were continually abused, and it was clear they would never grow tall like their older brothers, who now stand at 30 feet or more.  I didn’t know for sure bears were the varmints, but what else could it be?

An old friend and former colleague of mine was a plant buyer and customer guide at BB Barns Nursery in south Asheville, and somehow the subject came up. She happens to be the only person ever I’ve ever spoken with who also knows about the love obsession bears have with the CSC.  She’d even see them in action at her house.  Her belief was the bears ate the plants seed cones, but I was dubious—still am. 

So, today for the first time I saw a bear bathing himself in the foliage, as much as a bear, or anyone for that matter, can take a bath in a plant.  He was standing up on his hind legs, walking in and out of the poor shrub (only about 5 feet tall—and it would be much taller if not for the abuse) and generally rolling, snuggling, adoring. 

We can only guess why the bears have such an attraction.  Their powers of smell are about 100 times stronger than ours.  Maybe the aromatic volatile organic compounds have some insecticidal properties.  Maybe the transferred scent is an attraction to the opposite sex. Cologne or perfume. Maybe the bears just revel in the smell for pure pleasure.  Imagine that with their extraordinary olfactory senses, the pungent, crisp essential oils provide them a mind numbing feeling of well being.   Bear aromatherapy.

As I stalked closer and closer to the bear, keeping the blueberry fence between me and him to conceal my form, I was aware that the breeze was to my back and it was only a matter of time before he would smell me.  I moved when he moved as he was distracted, not looking around.  Then he froze for a minute.  He couldn’t see me, but he knew I was close-by, and slowly, stiffly he strutted away—that’s what male bears do when they are scared and about to run.  They are trying to scare you, but it’s a bluff.  Suddenly he bolted and was gone, just as I saw one of our elderly neighbors walking down the road to the right.

If you are staying at the Brown House, and if you visually survey the horizon now and then, you might catch a glimpse of wildness.  It might be anything.  Hawks, woodpeckers, the grand vista of the skyscape rolling by in the south, a cloud of nearly invisible insects overhead.  It might be deer and bears.  Or, if you are even mildly brave, you can walk up to the orchard and breathe in the scent of Carolina Sapphire Cypress and imagine for a moment you yourself are again a wild uncivilized native of the forests.

Thanksgiving Thoughts

Re-arrangement for the Holidays

Someday I will write the full story about the four-year project of building the Brown House and I'll include photos from the progressing stages of construction.  One aspect of the building I will summarize here is that it cost about 1/3 more than we expected and had in our pockets. So much money.  And we had to go into debt and we knew we'd eventually have to sell a little rental house we owned to pay it off.  The interest on the loan happened to be variable, and with inflation climbing so high and the Federal Reserve Bank raising the rates, the cost was becoming painful. 

So, we sold the rental house (The Grey House) to the tenant and paid the debt off, leaving something extra to invest.  After many years, finally, we are now drawing a positive income, and this is one of the things I am most thankful for this year.  Though it is a lot of work, especially the cleaning.  

To me, clean is clean.  There are no grades of clean. Humanly speaking, however, we can only bear so much tedium. So far we have not been able to find anyone who will clean to my standard. At this point, it doesn't matter who cleans, I will always check afterwards and find "things".  I don't want to get distracted here, because I only want to say I feel we are not so much in the hospitality business with cleaning as a required sideline, but we are in the cleaning business with a hospitality sideline.

It was startling to realize and admit that we are a part of the tourist industry.  But for us, that specialty of the industry—hospitality—is more than providing a roof for an impersonal out-of-towner as much as it is sharing what we love, our home, with a fellow creature, who in turn helps us afford to share.

Some weeks ago a woman booked the Brown House for a full Thanksgiving holiday, and I was happy that we could provide the setting for their special get-together, that we would become a part of their permanent family memory.  All of our guests so far had from zero to, maximum, 10 reviews.  This person had about two dozen perfect 5-star ratings. Royalty. So, I wanted to roll out the red-carpet, or specifically, the fall-themed table cloth.  

As the house construction had moved to the end phases, our plan for the main room furniture layout was to place the dining table in the prime location—the window corner—and, as where we live (the Red House), have the table reach into the kitchen.  But with the furniture we bought, it wouldn't all fit how we liked, so we put the comfy sitting furniture in the prime spot.  It was nice, but the table had been pushed into the less-than-glamorous, relatively dark space of the room that remained.  Back to the present: I asked the upcoming guest beforehand about switching it all around and extending the table to make it the hub. The key to setting all that extra work in motion was if she was going to cook a Thanksgiving meal, or just go out to dinner?  I received the answer when she sent me a list of cooking tools and asked what we had and didn't have. She was thrilled about us switching it all around, and yes, it took a couple extra hours. 

Since the guests would be arriving well after dark we also "left the light on" and that's a post for the future. Hint: we have 116 LED lights associated with the Brown House, not counting the night-lights.

So, after hours of driving, the guest and her family got in late last night. And here is what she sent me just before midnight:  "I forgot to text at 10:15 when we arrived bc we were so enamored with your place!  It's so incredible...sparkling clean, wonderful array of antiques and other gems, and such great workmanship and artistry.  We just love it here and are so amazed at what you created!"

And this is what makes the extra work worthwhile.

 

The Artwork at the Brown House

Appalachian Writer James Still's Cabin on Dead Mare Branch

The art work in the Brown House, as are the furnishings & everything else, is highly personal. Much of it has been “rescued” from Goodwill, purchased at bargain prices. Sometimes I bought a print just for the frame, which I then used with another print, poster, or photograph. Most of it is unusual &/or unique. I have two long, crosscut saw blades that belonged to my dad. What follows is a description & known history of the each of the pieces. One of my ideas for art work in the house is that it depicts nothing you can see by looking out a window of the house. For example, I have almost no representational flowers or plants. I didn’t hold to that rule absolutely... 

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